The 1990s have seen the rapid transformation in the consumption of foo
tball with the development, in particular, of all-seater stadiums. Thi
s article analyses the responses of a particular type of masculine fan
to these transformations, thereby contributing to an emergent theoret
ical framework in the literature on consumption and fans, which supers
edes the theories of resistance and hegemony that have typically infor
med cultural studies since the 1970s.