In the Philebus beauty is combined with truth and proportion in order to co
nstitute a triad which, the absolute good not being directly accessible, ca
n help to assess the goodness of a mixture. The present article examines th
e mutual relation between the terms of the triad as well as between the tri
ad and the good. The interpretation hinges on the distinction between the "
order of the good" and the "order of nature" which is to be found in the Re
public (493 c): art, which only has the intention to realize an appearance
of beauty, is said to belong to the natural order (the object of which are
the necessities and needs of nature, and also that which the artist conceiv
es as the need of his audience). This conception of alleged beauty is contr
asted with true beauty, which contains in itself truth and proportion, thus
being an expression of the good.