In 19th. century England, choral societies flourished in an unprecedented w
ay and attracted thousands of amateurs.
By their wide geographical distribution, their diversity, their size and th
eir ever-widening repertoire, they constituted a significant feature of the
Victorian musical landscape.
New and simpler methods of teaching people sight-singing, and the developme
nt of the music publishing industry were favourable to their expansion and
vitality.
They were also indebted for their multiplication to sections of the propert
ied classes, to philanthropists and reformers who considered music as a hea
ler of social evils, a vehicle for moral regeneration and a means of increa
sing social cohesion.