This article treats the popular response to the death of Diana, Princess of
Wales, as a manifestation of the cultural public sphere, by which is meant
a symbolic space for affective communication and an emotional sense of dem
ocratic participation. The Diana phenomenon neither produced a 'revolutiona
ry moment' nor, however, was it insignificant. Rather, it represented a veh
icle for public debate on British identity, the role of the monarchy and, m
ore diffusely, the conduct of personal relations. New Labour and feminist a
ppropriations of Diana are examined in detail and related to a general cons
ideration of the diverse and contested meanings of her life and death.