Many new religions promote the emblems and institutions of modern nation-st
ates. In this article, I consider an example from Brazil, analyzing the mim
etic relations between its modernist capital, Brasilia, and a millenarian a
nd ecstatic religion called the Valley of the Dawn located on the city's ou
tskirts. I focus on the project of salvation that each sponsors and on a re
ligious ritual that Stages a judicial event associated with the state. Argu
ing against compensatory explanations, I suggest that both state and religi
on are performances, mutually critical, of the same paradigm of modernity.