Sf in mainland China is often assumed by Chinese scholars to be either non-
existent or not worth studying because of its poor literary quality. This a
rticle outlines the development of Chinese sf during the twentieth century,
emphasizing the constraints under which it has periodically suffered. Desp
ite a sometimes hostile climate, the sf culture of today's China is burgeon
ing, with a large fan base and an openness to new ideas that bode well for
the future. In this essay, I have concentrated on first-hand Chinese-langua
ge materials, including fanzines, newspaper articles, and internet home pag
es.