In an earlier issue of New Theatre Quarterly, NTQ55 (August 1998), Marcia B
lumberg examined the setting of the kitchen in performances by Bobby Baker
and Jeanne Goosen, arguing for the 'transitional and transgressive' possibi
lities of this domesticum-performance space. Here, Elaine Aston returns to
the 'kitchen' in Bobby Baker's performances of 'daily life.' The article ex
amines Baker's 'language' of food which 'speaks' of domesticity, and her co
njunction of comic playing and the hysterical marking of the body, to show
how her performance work constitutes an angry, feminist protest at the lack
of social transformation in women's lives.