This article examines the ways in which oceans were depicted in Japanese ge
ographical writings and maps from the Tokugawa period. It uses these texts
to understand how early modern Japanese visions of the Pacific and of marit
ime Asian waters constructed epistemological frameworks through which the J
apanese saw their place in an increasingly complex web of regional and glob
al connections. In the absence of actual adventure on the "high seas," Japa
nese writers, artists, and mapmakers used the inventive power of the imagin
ation to fill in the cognitive blank of ocean space. I argue that the defin
ition of early modern oceanic space was profoundly ambiguous, a legacy that
, it can be argued, left its mark on Japan's modern relationship with the A
sian Pacific region.