The shrinkage stresses that are created in the application of modern commer
cial and homemade art and conservation paints, media, and gesso based on sy
nthetic polymers have been measured. Commercial art products tended to dry
to essentially stress-free films. Coatings formulated with hard (high T-g o
r Young's modulus) polymers, however, tended to dry with substantial shrink
age stresses, and those stress levels increased with pigment loading up to
the critical pigment volume concentration. In these tests, some films were
produced having drying stresses that exceeded the cohesive or adhesive stre
ngth of the coating. Even for coatings that remained intact after drying, r
esidual stresses remained in the films, which would leave them at greater r
isk of subsequent damage from additional applied stresses due to environmen
tal changes or handling. Material analyses to determine the nature of the c
oating resin or paint binder may provide some means of assessing the likeli
hood of residual drying stresses being present, although stress measurement
s on the particular materials found would be needed to estimate the magnitu
de of those stresses. Treatments to relieve the stresses in coatings may be
possible, but extensive testing on the artifact is necessary to determine
the safety and efficacy of the method. Climate control and careful handling
, to minimize additional stresses on objects that may be at risk, are the m
ost prudent steps currently available.