The 'English sence of humor' has preserved its place close to the heartland
s of Englishness by claiming to be beyond analysis. This paper nevertheless
offers an analysis of the English sence of humor as structured around empi
ricism. Irony, the exposure of self-deception, a tendency to fantasy and ex
cess can all be related back to the English empiricist tradition. To suppor
t this argument two contrasted examples from different class registers are
explored: David Lodge's novel Small World, and the 'rude' picture postcards
dicussed in the famous essay by George Orwell.