Vicarious sacrifice and substitution are among the central ideas to emerge
in Gertrud von le Fort's prose and verse after her conversion to Catholicis
m in 1926. The doctrine plays an important thematic role in her writing, bu
t this article will demonstrate how le Fort incorporates its theological ra
mifications into her fiction as a means of developing a 'sacramental realis
m' within which divine grace is shown to be at work. A precedent for this i
s to be found in many writings from the French literary renouveau catholiqu
e, thus a treatment of Paul Claudel's drama L'Annonce faite a marie (1920_
will elucidate an analysis of le Fort's use of the doctrine of substitution
, taking her inner emigration Novelle Die Abberufung der Jungfrau von Barby
(1940) as a sample text. An appreciation of the workings of substitution i
s prerequisitie to a reading of le Fort's creative work, particularly durin
g her 'inner emigration' in the Third Reich, and to an assessment of her ov
erall contribution to twentieth-century German literature.