This essay surveys the major achievements and world-wide acclaim that give
substance to Northrop Frye's reputation as one of the most influential Cana
dians of the twentieth century. It points out, however, that Frye did not s
ucceed in his project to establish criticism as a discipline with its own a
ccepted axioms based on an acknowledgement of the unity of literature. Rath
er than concluding that the more theoretical works have been superseded, ho
wever, the essay argues that they may now be read as imaginative creations
approaching poetry, embodying an insight nourished by literature but focuss
ed on the human condition itself.