Arguing the centrality of editing in a publishing ho use, Robert Bringhurst
discusses the importance of editing type when designing books. The quality
of design hinges on typographic clarity, which is crucial in the productio
n of scholarly books, where precision and accuracy are at issue. The author
observes the ways in which scholarly presses must react to typographic cha
llenges similar to those faced by early Renaissance designers, despite the
changes in technology. Publishers must adapt digital type to reproduce obso
lete or rare linguistic characters. Editing letterforms, including the liga
tures and glyphs of a particular font remains a common and necessary practi
ce, as does kerning fonts. The shortcomings of digital type as compared wit
h metal type are discussed. The typographic problems raised in the producti
on of W.H. New's Encyclopedia of Literature in Canada are explored.