This paper examines the role played by the public sphere in demanding the t
ransformation of the police in line with the nascent democratic principles
in Mozambican society, it examines the state-centric promotion of good gove
rnance through enhancing the technical quality of decision-making in the po
lice and focuses in particular on the role of the public sphere and popular
culture in transforming the institution of the police. The paper examines
newspaper stories about the police and shows how these are interpretative c
ultural forms that are widely disseminated as part of dynamic social interc
ourse. Thus the primary data for this study are the created and expressive
materials about the police that the new media in Mozambique disseminates in
its fight against anti-democratic practices in the police. Stories written
about the police, being genuinely popular and socially and aesthetically s
ignificant, may be understood as parr of the domain of popular culture.