After two actresses who interpreted Berenice, Francine Berge for Planchon w
ho echoed the love of Louis XIV and Marie Mancini, and Lumila Mikael whom K
arl-Michael Gruber saw as the eastern queen facing the Roman emperor, come
the ideas of two other directors, Jacques Lassalle who criticizes the preju
dices of the play - its transparence, renunciation, elegy and the absence o
f History - and considers the protagonists as innocent monsters; Jacques Kr
aemer for whom renunciation in this deathless tragedy is only a preparation
to death.