Our hearing organ, the cochlea, evidently poises itself at a Hopf bifurcati
on to maximize tuning and amplification. We show that in this condition sev
eral effects are expected to be generic: compression of the dynamic range,
infinitely sharp tuning at zero input, and generation of combination tones.
These effects an "essentially" nonlinear in that they become more marked t
he smaller the forcing: there is no audible sound soft enough not to evoke
them. All the well-documented nonlinear aspects of hearings therefore appea
r to be consequences of the same underlying mechanism.