This article studies the language of four stories by Gabrielle Roy that wer
e published, though not written, for children. Lexical analysis indicates t
hat the first text conveys, more subjectively than the others, and ideology
reflecting both the society to which Roy belong as a child and her adult o
utlook on this period of her life. The three other stories express a more p
ersonal vision, explicitly urging reconciliation and harmony between animal
s as well as human beings and extolling the benefits of freedom. This messa
ge, which underlies all of the novelist's work, seems particularly suited t
o young readers.