The central panel of a triptych that includes Bonheur d'occasion and La pet
ite poule d'eau, Alexandre Chenevert is a hybrid novel, half-realistic, hal
f-idyllic. On the basis of five short stories (some unpublished), this arti
cle suggests a reading of Gabrielle Roy in which Roy appears torn between c
ondemning her characters and viewing them with compassion. The genesis and
ultimate shape of the eponymous character, Alexandre Chenevert, already exi
st in latent form in these stories.