The article proposes a dialogue between Virgil's Georgics and John's Apocal
ypse as a means of illuminating Revelation's view of the natural world. A c
omparison of the two works reveals a common understanding of the natural or
der as at once beautiful and terrifying, majestic and vulnerable. While irr
econcilable religious differences remain (particularly concerning the figur
e of Augustus), the two works can still be read in a complementary way. Vir
gil's lyrical evocations of the Italian countryside give a new depth to the
tragedy of the destruction of the natural order in Revelation, while John'
s theology of hope supplies a theological focus lacking in the Latin poet.