This article introduces, defines, and examines self-biographies, a cinemati
c hybrid form that combines the traits of biography and autobiography. By s
urveying several important early examples of celebrity self-biography, the
essay chronicles important characteristics of the subgenre, and calls atten
tion to a potential weakness of the form. The essay assesses not only how t
he celebrity-subject's performance impacts on the director, but also how th
e director's choices affect the complexity of the treatment. The conclusion
probes issues of non-celebrity self-biography.