This analysis of music ill cultural geography, in the con of the inner Sydn
ey-based band The Whitlams, traces thr creative links between sounds,'scene
s' and places. Based bz Newtown, The Whitlams art associated with political
values, evident ill the band's name, and social values tied to and opposed
to urban changes, such as gentrification, where community is threatened Th
e band's lyrics emanate from their experiences, challenging commercialisati
on of city life at different)Ef scabs and reflecting the anomie of city liv
ing, but defending its virtues, whilst also fostering place stereotypes. Th
e audience was similarly inner-city based until th band's recent commercial
success, which has challenged The Whitlams' identity and radicalism, and r
esulted in mainstream appropriation. Though The Whitlam's continue to reaff
irm their local identity, and local audiences have remained, the popularity
and commodification of their music has challenged concepts of shared meani
ng, the link between bands and their fans, and the connection between music
and its place of origin. The Whitlam's music nevertheless remains a means
of evoking and sharing a sense of place.