Taking Butler elsewhere: performativities, spatialities and subjectivities

Citation
N. Gregson et G. Rose, Taking Butler elsewhere: performativities, spatialities and subjectivities, ENVIR PL-D, 18(4), 2000, pp. 433-452
Citations number
45
Categorie Soggetti
EnvirnmentalStudies Geografy & Development
Journal title
ENVIRONMENT AND PLANNING D-SOCIETY & SPACE
ISSN journal
02637758 → ACNP
Volume
18
Issue
4
Year of publication
2000
Pages
433 - 452
Database
ISI
SICI code
0263-7758(200008)18:4<433:TBEPSA>2.0.ZU;2-N
Abstract
This paper is concerned with exploring the potential of performance and per formativity as conceptual tools for a critical human geography. We begin by emphasising the importance of recognising the different ways in which perf ormance can be theorised, and their very different critical effects. We the n argue that, although the geographical literature is apparently characteri sed by two contrasting discussions of performance (those of Goffman and of Butler), these accounts form a consensus around Goffman. By contrast, and a long with Butler, we maintain that performance is subsumed within and must always be connected to performativity-that is, to the citational practices which produce and subvert discourse and knowledge, and which at the same ti me enable and discipline subjects and their performances. But we also take Butler elsewhere, arguing that spaces too need to be thought of as performa tive, and that more needs to be made of the complexity and instability of p erformances and performed spaces. To illustrate our general arguments, but also to show how they work out rather differently in the specificities of p articular social practices, we draw on two very different pieces of researc h which we have separately been involved in: a study of community arts work ers and projects in Edinburgh and another on car-boot sales as alternative spaces of consumption. We conclude the paper by arguing for the necessity o f extending our arguments to encompass academic performances and performati vity, reflecting on our own production, both through particular academic pe rformances of our respective research projects and this paper.