This paper is concerned with exploring the potential of performance and per
formativity as conceptual tools for a critical human geography. We begin by
emphasising the importance of recognising the different ways in which perf
ormance can be theorised, and their very different critical effects. We the
n argue that, although the geographical literature is apparently characteri
sed by two contrasting discussions of performance (those of Goffman and of
Butler), these accounts form a consensus around Goffman. By contrast, and a
long with Butler, we maintain that performance is subsumed within and must
always be connected to performativity-that is, to the citational practices
which produce and subvert discourse and knowledge, and which at the same ti
me enable and discipline subjects and their performances. But we also take
Butler elsewhere, arguing that spaces too need to be thought of as performa
tive, and that more needs to be made of the complexity and instability of p
erformances and performed spaces. To illustrate our general arguments, but
also to show how they work out rather differently in the specificities of p
articular social practices, we draw on two very different pieces of researc
h which we have separately been involved in: a study of community arts work
ers and projects in Edinburgh and another on car-boot sales as alternative
spaces of consumption. We conclude the paper by arguing for the necessity o
f extending our arguments to encompass academic performances and performati
vity, reflecting on our own production, both through particular academic pe
rformances of our respective research projects and this paper.