In contrast to traditional psychological theories that conceptualize emotio
ns as discrete intrapsychic phenomena, the present study considers emotions
as social constructions. A discursive analysis of interviews with 12 polic
e officers was undertaken, to develop a. situated understanding of the cons
truction and function of emotion in the culture of the New Zealand police.
Two conflicting discourses of emotion were identified: a discourse of emoti
onal disclosure in which discussion of emotions was constructed as a normal
and healthy human activity and a discourse of unspeakability in which emot
ions were framed as dangerous and threatening to performance, demanding man
agement and control. Both of these discourses were drawn on by the majority
of respondents and were contextually contingent. We argue that strategic d
eployment of these discourses enables officers to present themselves as bot
h culturally and professionally competent.