In 1851 Giuseppe Bertini realizes the great glass window of the Triumph of
Dante, today in the Pinacoteca Ambrosiana. The work of this young artist re
flects the difficult moment for the city of Milan, Following the return of
the Austrian domination after the brief victory of the Cinque Giornate and
the short experience of the provisional government. The hope and thirst for
freedom take shape in Bertini's glass window, and are immediately apprecia
ted by the Milanese public, which paid a special attention to the patriotic
messages conveyed by thematic, stylistic and technical choices made by the
young artist. The fact that the work was sent to the Universal Exposition
in London in 1851 had a strong symbolic message for contemporaries, binding
the Italian supremacy in the art of glass windows to the celebration of th
e indomitable exiled artist.