Around 1850 the artisan shops in Milan gradually stopped producing late Emp
ire furniture and turned to the manufacture of historical revivals which we
re largely appreciated by the bourgeoisie across Europe. While the Tuscan c
arvers preferred the elaborate design of Renaissance taste, the Milanese eb
ony workers, such a Pogliani, Speluzzi or Brambilla, looked at the monument
al models of the 16th century and Baroque cabinets from which they got shap
es and ornamental designs, thus starting a typical style that during the se
cond half of the 19th century met the approval of art critics and of the we
althy visitors of the numerous art exhibits.