In her novella Ourika (1823), Mme de Duras inverts the Pygmalion myth and p
ortrays her eponymous heroine as Galatea in reverse. When Ourika is confron
ted with her true condition, a process of psychological disintegration and
physical suffering ensues, culminating in a death-like state. She is condem
ned to complete inaction, retreating to a convent. It is as if this black G
alatea is forced to remount her pedestal and revert to stone. Duras's text
constitutes an enquiry into what transpires in the psyche of a victim of op
pression and injustice. Ourika's plight also attains the universal and repr
esents that of humanity in a fallen world.