Stereoacuity improves with increasing contrast, unless the increase is mono
cular. In this case performance paradoxically suffers. This study examined
whether this contrast paradox occurs for two other classes of visual judgme
nt: two-frame motion and vernier acuity. We constructed three homologous ta
sks in which the two components of a gabor stimulus (stereo half-images, mo
tion frames, vernier components) were either both high contrast, both low c
ontrast, or mismatched. The contrast paradox was evident in all three tasks
and showed a similar spatial frequency dependence. We suggest the contrast
paradox results from the combination of mismatched signals by a single fil
ter. (C) 2000 Elsevier Science Ltd. All rights reserved.