The work of Simone Weil and Simone de Beauvoir is compared along various li
nes of analysis. Simone Weil's Gravity and Grace is examined, and her pench
ant for the use of the concept of the void as point of departure for metaph
ysical speculation, while Simone de Beauvoir's work Old Age is analyzed, wi
th a view toward setting out her use of the Sartrean concept of project. A
brief comparison of the work of Weil and Kierkegaard is made, and some refe
rence is given to sections of Simone de Beauvoir's Second Sex. It is conclu
ded that, from a similar point of departure, the thinkers move in different
directions.