This article examines the theme of literary plagiarism in Normand Chaurette
's play Le Passage de l'Indiana, indicating how the play's dramatic structu
re, resembling that of a psychological thriller, is also a model for compos
ition as dramatic form and theme continuously refer back to each other in a
game of mirrors based on repetition and return. The issues of plagiarism r
elates, in fact, to the issue of individual identity--an identity that is q
uestioned through processes of marking and borrowing by which personalities
eventually dissolve into simple reflections.