The paper explores the concept of authenticity with regard to the preseniat
ion of Maori in New Zealand. It is argued that the creation of authenticity
is important to tourism as a distancing device which prompts desire and th
e production of value. However, this analysis also suggests that its tempor
al implications and "tradition" in tourism have tended toward the reificati
on of modernist essentialization concerning Otherness, and to a negativity
that would undermine experience and the touristic presentation of local ide
ntities. A further term, "sincerity", is introduced by way of contrast to t
he notion of authenticity and illustrated by corresponding examples of two
kinds of Maori tourism. (C) 2000 Elsevier Science Ltd. All rights reserved.