Queen Marguerite de Valois of France (1533-1615) is among the most vilified
characters in French history. Accused of incest, corruption, insatiable se
xual desire, murders, treason, and direct responsibility for the political
disintegration of France in the Sixteenth Century, her image has never stop
ped intriguing historians. The historical Marguerite, however, is overshado
wed by the popular heroine of Alexandre Dumas' novel Queen Margot(1845). Th
e article traces the influence of the novel on historical scholarly biograp
hies of the queen, arguing that professional historians have not been able
to disentangle themselves from the literary product. Neither have they been
capable of overcoming the role of sexual desire in their shaping of the qu
een. The Marguerite historians have portrayed has been shaped by the sexual
fantasies and the sexual politics of the nineteenth-century author, and by
the historians' own voyeuristic gaze. In a time of professional anxiety an
d debate about the uniqueness of historical analysis and writing as compare
d to literary and artistic productions, the article questions the possibili
ty of distinguishing between these enterprises.