The author outlines the multivalent geographies of a particular food-preser
vation technology: the tin can. As well as detailing the technological evol
ution of the can, he pays particular attention to the integral role that it
played in the expansion and maintenance of Europe's empires in the Victori
an era. Beginning with the demonstration of the can as part of the United K
ingdom, Colonies, and Dominions exhibition at the Great Exhibition of 1851,
the author examines its significance in several key events in the British
imperial endeavour, including the Beer War and the marketing of the British
Empire in the 1920s. The author also demonstrates the involvement of the c
an in the construction of new experiences of global space, as it both reduc
ed the distance between sites of food production and consumption and perpet
uated those distances by fetishising the geographies of the origins of food
stuffs. Although it is now one of the most mundane of artifacts in the burg
eoning world of material culture, the author argues that the can was respon
sible for lengthening the networks of imperialism and globalisation, and th
at a retelling of its story can help us reconceptualise the ways in which s
uch networks were built and do work.