C. Cochrane, Theatre and urban space: The case of Birmingham Rep - The shifting relationship between a theatre and a city, NEW THEAT Q, 16(62), 2000, pp. 137-147
Here, Claire Cochrane, who teaches at University College, Worcester, narrow
s the focus to a particular British city and the role over time of a specif
ic theatre in relation to its urban setting. Her subject is the history and
development of the Birmingham Repertory Theatre in relation to the city-of
which its founder, Bary Jackson, was a lifelong resident-as an outcome of
the city's growth in the wake of the Industrial Revolution, which made it d
istinctive in terms of its manufactures, the workers and entrepreneurs who
produced them, and a civic consciousness that was disputed yet also shared.
She traces, too, the transition between old and new theatre buildings and
spaces which continued to reflect shifting class and cultural relationships
as the city, its politicians, and its planners adapted to the second half
of the twentieth century.