It was reported to the first author that a female dog-wolf mix showed anoma
lously rough-sounding vocalization. Spectral analysis of recordings of the
vocalization revealed frequency occurrences of subharmonics, biphonation (t
wo independent pitches) and chaos. Since these nonlinear phenomena are curr
ently widely discussed as integral to mammalian vocalization [Wilden et al.
, Bioacoustics 9, 171-196 (1988)] or as indicators of vocal pathologies [He
rzel ct al., J. Speech Hearing Res. 37, 1008-1019 (1994); Riede ct al., Z.
Sgtkde 62 Suppl: 198-203 (1997)], we sought to understand the production me
chanism of the observed vocal instabilities. First the frequency of nonline
ar phenomena in the calls was determined for the female and four additional
individuals. It turned out that these phenomena appear, but much less freq
uently in the repertoire of the four other animals. The larynges of the fem
ale and two other individuals were dissected post mortem. There was no appa
rent asymmetry of the vocal folds but a slight asymmetry of the arytenoid c
artilages. The most pronounced difference, however, was an upward extension
of both vocal folds of the female. This feature is reminiscent of "vocal l
ips" (syn. "vocal membranes") in some primates and bats. Spectral analysis
of the female's voice showed clear similarities with an intensively studied
voice of a human who produces biphonation intentionally. Finally, the poss
ible communicative relevance of nonlinear phenomena is discussed. (C) 2000
Acoustical Society of America. [S0001-4966(00)00510-5].