How to live the Good Life: William Morris's aesthetic conception of equality

Authors
Citation
C. Sypnowich, How to live the Good Life: William Morris's aesthetic conception of equality, QUEEN Q, 107(3), 2000, pp. 390-411
Citations number
30
Categorie Soggetti
Literature
Journal title
QUEENS QUARTERLY
ISSN journal
00336041 → ACNP
Volume
107
Issue
3
Year of publication
2000
Pages
390 - 411
Database
ISI
SICI code
0033-6041(200023)107:3<390:HTLTGL>2.0.ZU;2-S
Abstract
William Morris is best known in popular culture for his wallpapers, prints, and for his association with the Pre-Raphaelite painters, whose works are now copied and mass-produced for poster shops all over the world. And howev er distressed Morris might be if he could see our careless use of the Pre-R aphaelite heritage, it is likely he would be more dismayed to know that few remember his pioneering role as an English progressive, or recall how his conception of art, beauty, and utility was intended to promote a life devoi d of kitsch and selfishness, and full of common cause and beauty.