A crucifixion attributed to Jost Haller in the Colmar Musee d'Unterlinden

Authors
Citation
P. Lorentz, A crucifixion attributed to Jost Haller in the Colmar Musee d'Unterlinden, REV LOUVRE, (3), 2000, pp. 37-42
Citations number
15
Categorie Soggetti
Arts & Architecture
Journal title
REVUE DU LOUVRE-LA REVUE DES MUSEES DE FRANCE
ISSN journal
00352608 → ACNP
Issue
3
Year of publication
2000
Pages
37 - 42
Database
ISI
SICI code
0035-2608(200006):3<37:ACATJH>2.0.ZU;2-E
Abstract
In December 1999, the Musee d'Unterlinden acquired a panel representing the Crucifixion, related to a small group of paintings painted c. 1450-1460 by an Alsatian artist (Bergheim Tempelhof Altarpiece, Sarrebruck Teutonic Kni ghts Altarpiece). In 1980, Charles Sterling identified the painter responsi ble for the series as Jost Haller, mentioned as early as 1438 as a master i n Strasbourg, which he left around 1450 to settle in Sarrebruck. The Crucif ixion published here for the first time is attributed to Jost Haller on the basis of comparisons with the Bergheim Tempelhof Altarpiece, a work painte d by the artist c. 1445-1450, prior to his departure for Lorraine. The Cruc ifixion was no doubt painted at this period and adds to our knowledge of th e Alsatian pictorial milieu with which the young Martin Schongauer came int o contact during his formative years.