In many song birds, males develop their songs as adults by imitating the so
ngs of one or more tutors, memorized previously during a sensitive phase ea
rly in life. Previous work using two assays, the production of imitations b
y adult males and playback-induced calling by young birds during the sensit
ive phase for memorization, has shown that song birds can discriminate betw
een their own and other species' songs. Herein I use both assays to show th
at male mountain white-crowned sparrows, Zonotrichia leucophrys oriantha, m
ust learn to sing but have a genetic predisposition to memorize and learn t
he songs of their own subspecies. Playback tests to young naive birds befor
e they even begin to sing reveal that birds give begging calls more in resp
onse to oriantha song than to songs of another species. After 10 days of tu
toring with songs of either their own or another subspecies, birds continue
to give stronger call responses to songs of their own subspecies, irrespec
tive of whether they were tutored with them, and are more discriminating in
distinguishing between different dialects of their own subspecies. The mem
ory processes that facilitate recognition and discrimination of own-subspec
ies' song may also mediate the preferential imitation of song of a bird's o
wn subspecies. Such perceptual biases could constrain the direction and rat
e of cultural evolution of learned songs.