Based on a three-year observation of how design quality has evolved for a c
ommunity of novice information systems designers, with the support of a sha
red design memory, we discuss the role of modern art influences on the orig
inal design representations that the students have produced. Starting from
the emergence in the community of certain representational styles, we point
out their correspondence with underlying design ontologies, and we advance
the hypothesis that suggestions coming from modern art are being used both
as a gnoseological means and as a suitable way to express and communicate
deep design motifs. (C) 2000 Elsevier Science B.V. All rights reserved.