In 17th century France, poetry called up cultural alternatives-linguistic o
ptions, diffusion networks-which made of it a strong identity referent for
cities the monarchy considered to be part of the "King's Body." As form of
sociability one can easily ritualize, and as a cultural legacy praised by t
he humanists, poetry offered a representation of the "City's Body" and legi
timized this Body's privileges. However, this process might confine poetry
to that representative function.