This article raises key questions about ritual as Christian allegory a
nd bodily practice in history. In colonial and postcolonial ritual, ar
ound which moments of the Christian drama of self-sacrifice, cosmic ma
rtyrdom, redemption and resurrection have African Christians physicall
y embodied their personal and collective identities, their felt indivi
duality or their intimate sense of self? How has Christian passion met
moral sensibility in colonial and postcolonial encounters? Pursuing t
hat in a critique of a familiar modernist paradigm, the account addres
ses the changing moral economy within which religious argument, whethe
r verbal or mimetic, whether about syncretism or anti-syncretism, is c
arried forward. A major concern is fundamental, long-term change and t
he importance for the adherents themselves of ritual and church forms
perceived as being universal and global.