We examined effects of pitch and rhythm on the perceived emotional content
of short melodies. We initially developed exemplars of melodies that were j
udged consistently to convey a single emotional category: happy, sad, or sc
ary. We subsequently manipulated the pitch and rhythm parameters to derive
three altered versions of each exemplar: a pitch-only version (pitch differ
ences intact but all tones of equal duration), a rhythm-only version (durat
ional differences intact but all tones of equal pitch), and a baseline vers
ion (all tones of equal duration and pitch). Listeners rated how well each
exemplar and altered version conveyed its corresponding emotion. Effects of
pitch and rhythm varied across melodies. In all cases, ratings were influe
nced more by differences in pitch than by differences in rhythm. Whenever r
hythm affected ratings, it interacted with pitch.