This article focuses on the relation between the creation of the explorean
language, which is part of a work of eradication and dismemberment of langu
age, and a figure that is particularly present in the work of Claude Gauvre
au: the disembowelment of a woman, which is specifically presented in the p
lay Petrouchka. In this context, hideousness ("l'immonde") is viewed as a s
tructure of the reality of death that makes its return through the represen
tation of the disembowelled woman and is even embodied in the letter as glo
ssolalic barks; these sounds appear as a way of speaking the unknown relate
d to death.