In its examination of the relationship between popular film and lesbian vie
wing practices, this study attempts to more fully elucidate current ideas a
round audience engagement and forms of cultural reception. Drawing on 15 in
-depth interviews conducted in Western Canada in 1996, the results clearly
demonstrate the existence of active lesbian viewers, whose interpretations
of popular film are intimately informed by lesbian-specific life experience
s and cultural competencies. Although the social conditions which create th
e need for resistant viewing are themselves oppressive, subversion of mains
tream film holds out some possibility of empowerment fur lesbian viewers.