One of the primary texts of the "out" queer cinema of Japan is the televisi
on serial Dosokai first aired in 1993, Unlike Western television shows posi
ting queer characters, Dosokai presents its gay characters without apology
or excuses, and as leads rather than as colorful appendages, At the same ti
me, however, the show filters gay eroticism through the (hetero)normative m
ode of serial melodrama, at once pushing the boundaries of national permiss
iveness while normalizing and homogenizing homosexuality by rendering it wi
thin a conventional form.