Due to sociological and aesthetical factors, the description of precious bi
belots and trifles becomes a recurrent motif in decadent and symbolist nove
ls. But behind their seductive appearance, these objects often conceal a mo
rtal content--hence their designation in this paper as objets doubles. Thro
ugh their moral content, these objects carry a criticism of late nineteenth
-century expansionist capitalism and, specifically, of the belief that weal
th can give meaning and order to reality. They also function as synecdoches
of fin-de-siecle literature itself, marked by a simultaneous fascination w
ith luxury and evil.