Changes in hip and ankle range of motion and hip muscle strength in 8-11 year old novice female ballet dancers and controls: a 12 month follow up study
Kl. Bennell et al., Changes in hip and ankle range of motion and hip muscle strength in 8-11 year old novice female ballet dancers and controls: a 12 month follow up study, BR J SP MED, 35(1), 2001, pp. 54-59
Objectives-To evaluate in a 12 month longitudinal study changes in hip and
ankle range of motion and hip muscle strength in young female novice ballet
dancers.
Methods-Fifty three of the original 77 (69%) female dancers aged 8-11 years
and 40 of the original 49 (82%) controls returned for follow up measuremen
ts one year later. Supine right active hip external (ER) and internal (IR)
rotation were measured using an inclinometer. A turnout protractor was used
to assess standing active turnout range. Range of right weight bearing ank
le dorsiflexion and calf muscle length were measured in a standing lunge po
sition using an inclinometer. A manual muscle tester was used to assess rig
ht hip flexor, LR, ER, abductor and adductor strength.
Results-The mean (SD) 12 month change in hip ER did not differ between danc
ers (11.7 (11.3)degrees) and controls (8.1 (17.6)degrees). Dancers gained 1
2.5 (13.5)degrees hip IR which was significantly greater than controls (0.5
(13.9)degrees). Greater IR change was associated with improved IR strength
(r = 0.34, p<0.001). Dancers increased total turnout (12.0 (16.7)<degrees>
) significantly more than controls (2.2 (20.0)degrees). There was no signif
icant change in ankle dorsiflexion range in either group. Dancers and contr
ols increased in all measures of hip muscle strength (p<0.001) and dancers
achieved significantly greater gains in three out of five muscle groups (al
l, p<0.05).
Conclusions-Total hip range of motion increased in both ballet students and
controls at this young age. However, ankle dorsiflexion did not, which is
probably due to this movement being blocked by bony apposition, rather than
soft tissue stretch. This has implications for ballet teachers, as it has
long been accepted that this movement could be improved with training. Danc
ers had greater increases in hip strength after 12 months compared with con
trols in muscles specific for ballet, suggesting that hip strength can be t
rained at this young age. Whether these gains are permanent requires furthe
r study.