The space that can be seen from any vantage point is called an isovist and
the set of such spaces forms a visual field whose extent defines different
isovist fields based on different geometric properties. I suggest that our
perceptions of moving within such fields might be related to these geometri
c properties. I begin with a formal representation of isovists and their fi
elds, introducing simple geometric measures based on distance, area, perime
ter, compactness, and convexity. I suggest a feasible computational scheme
for measuring such fields, and illustrate how we can visualize their spatia
l and statistical properties by using maps and frequency distributions. I a
rgue that the classification of fields based on these measures must be a pr
erequisite to the proper analysis of architectural and urban morphologies.
To this end, I present two hypothetical examples based on simple geometries
and three real examples based on London's Tate Gallery, Regent Street, and
the centre of the English town of Wolverhampton. Although such morphologie
s can often be understood in terms of basic geometrical elements such as co
rridors, streets, rooms, and squares, isovist analysis suggests that visual
fields have their own form which results from the interaction of geometry
and movement. To illustrate how such analysis can be used, I outline method
s of partitioning space, covering it with a small number of relatively inde
pendent isovists, and perceiving space by recording properties of the isovi
st fields associated with paths through that space.