Recently, scholars have done much to describe the cultural beliefs and valu
es that influenced the way John A. Lomax perceived African Americans; this
study focuses on his relationship with Henry E. Truvillion, a railroad fore
man, minister, and gifted singer who was recorded by Lomax in the 1930s and
1940s. Mullen suggests how Lomaxs attitudes toward race were influenced by
nineteenth-century cultural assumptions about blacks, his emotional early
childhood experiences, prevailing scholarly theories, and social and fieldw
ork contacts. He also draws upon an examination of Lomaxs books, articles,
and field notes, as well as interviews with Truvillions son Jesse Garfield
Truvillion, to discuss the choices Lomax made in his public representation
of the elder Truvillion. In the process, Mullen aims to highlight perceptua
l gaps and cross-generational similaritiespositive and negativebetween toda
ys folklorists and those of Lomaxs generation.