As John Lomaxs biographer, Porterfield offers in this response his own pers
pective on the relationship between John Lomax and Henry Truvillion. More b
roadly, however, he addresses the assumptions and expectations surrounding
life stories, considering the evolving functions of biography as well as it
s methods and ways of looking at them. Porterfield observes that today, bio
graphy is often considered a "straightforward process of gathering facts an
d assembling them, more or less in chronological order." However, he argues
, biography is also a creative act and an artistic producta fact that may p
rompt us to consider a distinction between finding the True Story and telli
ng the Whole Story.