Two experiments examined the relationship between temporal pitch land, more
generally, rate) perception and auditory lateralization. Both used dichoti
c pulse trains that were filtered into the same high (3900-5400-Hz) frequen
cy region in order to eliminate place-of-excitation cues. In experiment i,
a 1-s periodic pulse train of rate Fr was presented to one ear, and a pulse
train of rate 2Fr was presented to the other. In the "synchronous'' condit
ion, every other pulse in the 2Fr train was simultaneous with a pulse in th
e opposite ear. In each trial, subjects concentrated on one of the two bina
ural images produced by this mixture: they matched its perceived location b
y adjusting the interaural level difference (ILD) of a bandpass noise, and
its rate/pitch was then matched by adjusting the rate of a regular pulse tr
ain. The results showed that at low Fr (e.g., 2 Hz), subjects heard two pul
se trains of rate Fr, one in the "higher rate" ear, and one in the middle o
f the head. At higher Fu (>25 Hz) subjects heard two pulse trains on opposi
te sides of the midline, with the image on the higher rate side having a hi
gher pitch than that on the "lower rate" side. The results were compared to
those in a control condition, in which the pulses in the two ears were asy
nchronous. This comparison revealed a duplex region at Fr>25 Hz, where acro
ss-ear synchrony still affected the perceived locations of the pulse trains
, but did not affect their pitches. Experiment 2 used a 1.4-s 200-Hz dichot
ic pulse train, whose first 0.7 s contained a constant interaural time diff
erence (ITD), after which the sign of the ITD alternated between subsequent
pulses. Subjects matched the location and then the pitch of the "new" soun
d that started halfway through the pulse train. The matched location became
more lateralized with increasing ITD, but subjects always matched a pitch
near 200 Hz, even though the rate of pulses sharing the new ITD was only 10
0 Hz. It is concluded from both experiments that temporal pitch perception
is not driven by the output of binaural mechanisms. (C) 2001 Acoustical Soc
iety of America.